Entrada destacada

Major Destroyer records presenta Vidaguerrilla. Vinilo 7 pulgadas.

viernes, 8 de mayo de 2026

No domestiques tu arte ni pa diox

Avisao por la increible MYRR:


"And yet, we are taught to celebrate this moment. To see institutional inclusion as the ultimate horizon of emancipation. To believe that reaching the center is the goal, and that the margin is merely a temporary condition to be overcome. But what if this assumption is wrong? [...] What if the obsession with being recognized reproduces the very hierarchies queer art once sought to undo?"

"Perhaps queer art becomes queer again when it stops aspiring to be included. When inclusion is no longer the main horizon. When being “inside” is not confused with being legitimate. When the margin is no longer seen as a failure, but as a conscious position.

This requires a profound shift: from seeing marginality as a destination to understanding it as a strategy.

The margin can be a site of autonomy. A place where practices do not need to justify themselves according to institutional criteria. Where work can remain temporary, relational, contradictory, unfinished. Where it does not need to translate itself into value, visibility, or permanence.

To make queer art queer again may require escaping not only institutional spaces, but institutional logic. This means rethinking how work is made, shared, shown, archived, circulated. It means inventing systems that do not mirror the dominant ones."

  • Who needs this work to be preserved?
  • Who benefits from its visibility?
  • What disappears when it becomes stable?
  • What kinds of relationships does it create and with whom?

"Its survival does not depend on more space in institutions, but on the courage to build, and constantly reinvent, spaces that do not ask for permission, do not seek canonization, and do not confuse recognition with freedom."


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